2013: The Year ‘the Stream’ Crested - The Stream is fun and fast, but don’t you miss the sense of an ending? The Stream has been the organizing metaphor for the web for the past several years. In May 2009, a high-ranking editor of TechCrunch identified and summarized this grand shift in the way people used and talked about the web.
It’s been too long since I hit the slopes.
Train schedules are a matter of pride and of apprehension to nearly everyone. When, far up the track, the block signal snapped from red to green and the long, stabbing probe of the headlight sheered the bend and blared on the station, men looked at their watches and said, “On time.”
There was pride in it, and relief too. The split second has been growing more and more important to us. And as human activities become more and more intermeshed and integrated, the split tenth of a second will emerge, and then a new name must be made for the split hundredth, until one day, although I don’t believe it, we’ll say, “Oh, the hell with it. What’s wrong with an hour?” But it isn’t silly, this preoccupation with small time units. One thing late or early can disrupt everything around it, and the disturbance runs outward in bands like the waves from a dropped stone in a quiet pool.
We must do away with the absolutely specious notion that everybody has to earn a living. It is a fact today that one in ten thousand of us can make a technological breakthrough capable of supporting all the rest. The youth of today are absolutely right in recognizing this nonsense of earning a living. We keep inventing jobs because of this false idea that everybody has to be employed at some kind of drudgery because, according to Malthusian-Darwinian theory, he must justify his right to exist. So we have inspectors of inspectors and people making instruments for inspectors to inspect inspectors. The true business of people should be to go back to school and think about whatever it was they were thinking about before somebody came along and told them they had to earn a living.
San Francisco’s very own Matmos sets the place under attack by green triangles.